Like the CCM 41, the CCM 41V is useful in all situations with music or speech, either as “spot“ microphones or as overall directional microphones. However, this type of microphone is addressed from the side.

This type of microphone has a low-frequency rolloff to compensate for the low-frequency boost which occurs when close-miking.

This type of microphone has a low-frequency rolloff to compensate for the low-frequency boost which occurs when close-miking.

The MK 4V was created in answer to requests for a cardioid with its main axis along the side. In addition to its usefulness in the concert hall, this microphone type is of particular value in speech recording, since its slight emphasis around 10 kHz helps to improve intelligibility.

The MK 4V was created in answer to requests for a cardioid with its main axis along the side. In addition to its usefulness in the concert hall, this microphone type is of particular value in speech recording, since its slight emphasis around 10 kHz helps to improve intelligibility.

This cardioid microphone, with its main axis along its side is designed for the very closest speech pickup, i.e. directly in front of the speaker’s mouth. Its low-frequency rolloff is compensated by proximity effect.

This cardioid microphone, with its main axis along its side is designed for the very closest speech pickup, i.e. directly in front of the speaker’s mouth. Its low-frequency rolloff is compensated by proximity effect.

This cardioid microphone, with its main axis along its side, improves speech intelligibility in very loud environments. It is designed for the very closest speech pickup, i.e. directly in front of the speaker’s mouth.

This cardioid microphone, with its main axis along its side, improves speech intelligibility in very loud environments. It is designed for the very closest speech pickup, i.e. directly in front of the speaker’s mouth. Its low-frequency rolloff is compensated by proximity effect.

This type of microphone has a low-frequency rolloff to compensate for the low-frequency boost which occurs when close-miking.

This type of microphone has a low-frequency rolloff to compensate for the low-frequency boost which occurs when close-miking.

A CCM 5 két választható iránykarakterisztikát kínál, de csak egy membránt használ - ez egy kompromisszum-mentes megközelítés. Az a tény, hogy a legnagyobb hallható frekvenciákon is megtartja a teljes átvitelt, szokatlan egy átváltható-karakterisztikájú mikrofon esetében.

Ez a kapszulatípus egy igazi dipól (kétirányú) átalakító, mely egymembrános kialakítással működik. A főiránya jobboldali irányban van a kapszulához képest, és meg van jelölve 0° és 180°-nál egy piros és egy fekete ponttal

This capsule type is a true dipole (bidirectional) transducer, operating with a single diaphragm. Its main axis is at a right angle to the capsule, and is marked at 0° and 180° with a red and a black dot respectively.

The M / S Stereo Set Cyclone consists of the following components: CCM 4 L compact microphone (cardioid), CCM 8 L compact microphone (fig-8), Stereo Cyclone MS Kit 1 for CCM M / S, KS 5 U, 2ch multicore cable, AK SU / 2U, breakout cable.

The M/S Stereo Set consists of all microphones and accessories needed for M/S stereo recording. We recommend this set particularly to our newer customers. as the Y-cable is the only component specially required for this application.

SCHOEPS offers the CMBI, a battery-powered microphone amplifier with unbalanced output. Combine this with one of 19 microphone capsules of the Colette series and you obtain a microphone which is acoustically equivalent to the balanced version using a CMC microphone amplifier.

Miniature Microphone Amplifier, permanently attached cable, incl. SGC, premium case, Set including CMC 1 K (0,5m cable, Lemo-3pin Sound Devices), SGC, Premium case for CCM

Miniature Microphone Amplifier, permanently attached cable, incl. SGC, premium case, Set
including CMC 1 K (0,5m cable, Lemo-3pin Zaxcom), SGC, Premium case for CCM

132019
Miniature Microphone Amplifier, permanently attached laterally outgoing cable, incl. premium case and magnetic accesories, Set including CMC 1 KV (0,5m cable, Lemo-3pin Sound Devices), Premium case for CCM, Magnetic Pad 5 cm black, Magnetic angle piece 30°, Magnetic angle piece 45°, Disc magnet 20 mm, SG 20, Suction cup Ø 50 mm with magnet.

132020
Miniature Microphone Amplifier, permanently attached laterally outgoing cable, incl. premium case and magnetic accesories, Set including CMC 1 KV (0,5m cable, Lemo-3pin Zaxcom), Premium case for CCM, Magnetic Pad 5 cm black, Magnetic angle piece 30°, Magnetic angle piece 45°, Disc magnet 20 mm, SG 20, Suction cup Ø 50 mm with magnet

132018
Miniature Microphone Amplifier, permanently attached laterally outgoing cable, incl. premium case
and magnetic accesories, Set including CMC 1 KV (2 m cable, XLR3M), Premium case for
CCM, Magnetic Pad 5 cm black, Magnetic angle piece 30°, Magnetic angle piece 45°, Disc magnet
20 mm, SG 20, Suction cup Ø 50 mm with magnet

The CMC 1 L is our new, small Colette microphone amplifier, about one-third the length and 53% lighter than the CMC 6. It is compatible with all components of the Colette system and can be used in place of the CMC 6 without compromise, for all applications in which the size and weight of the microphone play a role.

Set contains: COSI-CMC1U, MK 41, CMC 1 U, SG 20, Premium case for CMC/MiniCMIT

The CMC 1 is a new, small Colette microphone amplifier, about one-third the size and 40% lighter than the CMC 6. It is compatible with all components of the Colette system and can be used in place of the CMC 6 without compromise, for all applications in which the size and weight of the microphone play a role.

Although the CMC 5 Vintage U has a more modern successor (the CMC 6 U), some people place a special value on its discrete circuitry, or require an exact match for an existing microphone amplifier of this same type. The CMC 5 Vintage U is designed exclusively for 48-Volt phantom powering.

The CMC 6 U is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically.

Schoeps CMC 6xt U Microphone Amplifier, 40kHz, incl. SG 20

The SCHOEPS CMH is a wired handheld or soloist's microphone with particular immunity to plosive noise ("popping"). Because of its well-balanced frequency response it can also be used for speech pickup.

The SCHOEPS CMH is a wired handheld or soloist's microphone with particular immunity to plosive noise ("popping"). Because of its well-balanced frequency response it can also be used for speech pickup.

The CMIT 5 is SCHOEPS' shotgun microphone which has set a new standard for shotgun microphones since its release. The CMIT 5's directionality increases smoothly with higher frequencies, which results in a very balanced sonic character.

A CMIT 5 a SCHOEPS "kispuska" mikrofonja, mely megjelenésével egy új sztenderdet teremtett a "kispuska" mikrofonok közt. A CMIT 5 irányítottsága finoman növekszik a nagyobb frekvenciákon, mely egy nagyon kiegyensúlyozott akusztikus karaktert eredményez.

The set consists of:
- "Shotgun" microphone CMIT 5 U
- CCM 8 Lg (figure-8 for the side channel)
- WSR MS CMIT LU basket-type windscreen (Rycote Size "AF") including cabling, Windjammer and Connbox, double clamp
- breakout cable AK SU/2U

The CMIT Mono Set consists of the following items:
- CMIT 5 U shotgun microphone,
- elastic suspension with pistol grip and cabling with Connbox,
- WSR 3 CMIT basket-type windscreen (100 mm dia., length 360 mm) incl. WJ CMIT Windjammer

The CMR allows any SCHOEPS ”Colette” series capsule (except the BLM 03 C active boundary layer capsule) to be used with pocket transmitters.

Small, light-weight microphones (CCM L compact microphones) with sphere attachments.

Small, light-weight microphones (CCM L compact microphones) with sphere attachments.

Set contains: 2 * CCM 4 L, compact microphone (cardioid), CCM 8 L, compact microphone (Fig-8), Stereo Cyclone DMS Kit 1 (for 2 * CCM 4 + CCM 8), K DMS 5 U, 3ch multicore cable, AK DMS/3U, breakout cable to 3 * XLR-3M

Schoeps Matching of microphone capsules including certificate

Full set for M/S with shotgun microphone and Fig-8. Set contains: MiniCMIT, CCM 8 L, WSR MS MiniCMIT, KS 5 U, AK SU/2U, SG 20, W 140 b, Premium case for CCM, SGC, K 5 LU, Premium case for CMC/MiniCMIT.

A MiniCMIT "kispuska" mikrofon a CMIT 5 karakterisztikáját nyújtja kompaktabb formában.

The shotgun microphone MiniCMIT offers the characteristics of a CMIT 5 in more compact form. The MiniCMIT, CMIT 5 and SuperCMIT (ch2) have identical frequency response curves. Furthermore, the MiniCMIT and CMIT 5 have circuitry with similar characteristics, such that the microphones can be interchanged without altering the sound.

Full set with shotgun microphone and windscreen. Set contains: COSI-L-21 MiniCMIT, MiniCMIT, SG 20, W 140 b, Premium case for CMC/MiniCMIT.

The MiniCMIT Mono Set consists of the following items:
- MiniCMIT compact shotgun microphone,
- elastic suspension with pistol grip and cabling with Connbox,
- WSR MiniCMIT basket-type windscreen (100 mm dia., length 360 mm) incl. Windjammer

This capsule type has a flat frequency response for frontal sound incidence. This yields a very natural sound when recordings are made within the reverberation radius, where the direct sound (frontal incidence) predominates over the reverberant sound (random angles of incidence).

This type of capsule has a directional pattern between omni and cardioid. The basic idea in designing this capsule was to combine the advantages of the cardioid with those of the omni.

The “Open Cardioid” directional pattern, occupying a point on the spectrum between the wide cardioid and classic cardioid patterns, was developed by SCHOEPS in 2008. The response is -5 dB at 90° and there is 16 dB suppression of rear-incident sound.

If this microphone capsule is used indoors at medium recording distances, its overall response will be linear. Its extended frequency response and low noise make it appropriate for the most demanding applications.

The MK 2S exhibits a slight high-frequency emphasis for frontal sound incidence, with only a slight rolloff of high frequencies off axis and in the reverberant sound field.

The MK 2XS (formerly 3) is designed for placement in a diffuse sound field, i.e. at distances in reverberant environments where the greater portion of arriving sound has already been reflected from various room surfaces.

Az MK 4 a SCHOEPS legkeresettebb kapszulája. A legmagasabb hangminőséget, egyenes frekvenciaátvitelt, a hátulról jövő, szükségtelen hangok optimális elnyomását és a teljes frekvenciatartományon állandó iránykarakterisztikát nyújtja.

Az MK 41 erősen irányított. Az off axis irányból érkező hangok még inkább el vannak nyomva, mint a kardioidnál. A hangzás "direktebb" és kevésbé érzékeny az akusztikus gerjedésre, mint bármelyik másik SCHOEPS kapszula típus (a hangszóró mindazonáltal nem helyezendő a hátsó axis vonalába).

Like the MK 41, the MK 41V is useful in all situations with music or speech, either as a “spot“ microphone or as an overall directional microphone. However, this type of capsule is addressed from the side.

This type of capsule has a low-frequency rolloff to compensate for the low-frequency boost which occurs when close-miking.

The MK 4V was created in answer to requests for a cardioid with its main axis along the side. This capsule type is of particular value in the concert hall, and in speech recording also, since its slight emphasis around 10 kHz helps to improve intelligibility.

This cardioid capsule, with its main axis along its side is designed for the very closest speech pickup, i.e. directly in front of the speaker’s mouth. Its low-frequency rolloff is compensated by proximity effect.

This cardioid microphone, with its main axis along its side, improves speech intelligibility in very loud environments. It is designed for the very closest speech pickup, i.e. directly in front of the speaker’s mouth.

This type of microphone has a low-frequency rolloff to compensate for the low-frequency boost which occurs when close-miking.

Schoeps MK 4XPH Microphone Capsule for close pickup

The MK 5 offers two selectable directional patterns, but uses only one membrane – a no-compromise approach.