The QXSCS-100 from Ambient Recording is a cable kit featuring a straight cable, a 5-pin stereo XLR connector and a QXEST endpiece with flow-through side outlet for the QX-5100 quickpole light boom pole.

The QXSCS-130 from Ambient Recording is a cable kit featuring a straight cable, a 5-pin stereo XLR connector and a QXEST endpiece with flow-through side outlet for the QX-5130 quickpole light boom pole.

The QXSCS-50 from Ambient Recording is a cable kit featuring a straight cable, a 5-pin stereo XLR connector and a QXEST endpiece with flow-through side outlet for the QX-550 quickpole light boom pole.

The QXSCS-65 from Ambient Recording is a cable kit featuring a straight cable, a 5-pin stereo XLR connector and a QXEST endpiece with flow-through side outlet for the QX-565 quickpole light boom pole.

The QXSCS-80 from Ambient Recording is a cable kit featuring a straight cable, a 5-pin stereo XLR connector and a QXEST endpiece with flow-through side outlet for the QX-580 quickpole light boom pole.

RX Loudness Control
With intelligent technology and industry-standard tools for post-production, RX Loudness Control ensures that your audio conforms to loudness standards.

32GB approved SD/SDHC card for use with Sound Devices and Video Devices products. It is rated at 90 MB/s for read & write speeds (620x).

Boundary-layer recording offers unobtrusive microphone placement possibilities; no stands or hanging fixtures are required.

This table microphone consists of two CCM 4 compact microphones (cardioids) rigidly attached to one another and facing in the same direction.

The IRT microphone cross is an arrangement for ambient recording. Its primary characteristic is a transparent and spacious rendering of the acoustic environment.

The IRT microphone cross is an arrangement for ambient recording. Its primary characteristic is a transparent and spacious rendering of the acoustic environment.

The IRT microphone cross is an arrangement for ambient recording. Its primary characteristic is a transparent and spacious rendering of the acoustic environment.

The M/S Stereo Set consists of all microphones and accessories needed for M/S stereo recording. We recommend this set particularly to our newer customers. as the Y-cable is the only component specially required for this application.

SCHOEPS offers the CMBI, a battery-powered microphone amplifier with unbalanced output. Combine this with one of 19 microphone capsules of the Colette series and you obtain a microphone which is acoustically equivalent to the balanced version using a CMC microphone amplifier.

Although the CMC 5 Vintage U has a more modern successor (the CMC 6 U), some people place a special value on its discrete circuitry, or require an exact match for an existing microphone amplifier of this same type. The CMC 5 Vintage U is designed exclusively for 48-Volt phantom powering.

The set consists of:
- "Shotgun" microphone CMIT 5 U
- CCM 8 Lg (figure-8 for the side channel)
- WSR MS CMIT LU basket-type windscreen (Rycote Size "AF") including cabling, Windjammer and Connbox, double clamp
- breakout cable AK SU/2U

The CMIT Mono Set consists of the following items:
- CMIT 5 U shotgun microphone,
- elastic suspension with pistol grip and cabling with Connbox,
- WSR 3 CMIT basket-type windscreen (100 mm dia., length 360 mm) incl. WJ CMIT Windjammer

CMXY 4V Ig: miniature output connector; the KS 5 IU adapter cable to XLR-5M is included.

CMXY 4V Ug: XLR-5M output plug; The adapter cable AK SU/2U (XLR-5F to 2 × XLR-3M) is included.

The CUT 1 prevents the effect of infrasonic disturbances from being passed on to any succeeding device and offsets proximity effect and/or to improve speech intelligibility in reverberant rooms by means of an additional 6 dB/oct rolloff.