| AKG C 568 EB | 
High directivity and wide frequency in a relatively short integrated unit make this an ideal microphone for theatre, sound reinforcem... | 
| AKG C391 B | 
Modular studio condenser microphone system including a cardioid capsule. Its application range shall include lecterns, places of wors... | 
| AKG CK 1 451 | 
The classic cardioid capsule for the CMS range. The pattern was remarkably consistent across the frequency range. The 1S had a rising... | 
| AKG CK 1 460 | 
A remote cardioid capsule introduced for use with the C 460 B preamplifier. | 
| AKG CK 61 C460 B | 
A CMS/ULS series preamplifier (now superseded by the ULS C480B) for use with several CK series capsules. A thread adapter allowed the... | 
| AKG CK 63 C460 B | 
A CMS/ULS series preamplifier (now superseded by the ULS C480B) for use with several CK series capsules. A thread adapter allowed the... | 
| AKG CK 91 SE300 B | 
The flat frequency response and uniform polar pattern of the CK 91 make it ideal for general applications where suppression of off-ax... | 
| AKG CK 92 SE300 B | 
The CK 92 offers exceptionally neutral presentation of a source in its ambient sound field, providing uniform results regardless of t... | 
| AKG CK 93 SE300 B | 
Similar to the CK 91, the CK 93 provides additional attenuation of 90 degree off-axis sounds. In addition to a higher ratio of direct... | 
| Audio-Technica AT 4053a; AT 4053b | 
Recommended for professional recording and critical applications in broadcast, the AT4053a has a direct-coupled, balanced output, whi... | 
| Audio-Technica AT 4073a (BP4073) | 
 For more information on this specific microphone, go to Audio-Technicas website at http://www.audio-technica.com/world_map/. 
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| Audio-Technica AT 8022 (BP 4025) | 
Ideal for video camera-mount use, stereo field recording, interviews and home recording, Audio-Technica's versatile AT8022 stereo con... | 
| Audio-Technica AT 822 | 
The AT822 is ideal for DAT recording as well as television, FM and field applications. Its compact, lightweight design is perfect for... | 
| Audio-Technica AT 825 | 
 For more information on this specific microphone, go to Audio-Technicas website at http://www.audio-technica.com/world_map/. 
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| Audio-Technica AT 835ST (BP4029) | 
 For more information on this specific microphone, go to Audio-Technicas website at http://www.audio-technica.com/world_map/. 
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| Audio-Technica AT 875 (AT875R) | 
 For more information on this specific microphone, go to Audio-Technicas website at http://www.audio-technica.com/world_map/. 
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| Audio-Technica AT 877 | 
 For more information on this specific microphone, go to Audio-Technicas website at http://www.audio-technica.com/world_map/. 
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| Audio-Technica AT 897 | 
Specifically designed for video production and broadcast audio. It has a short body to allow it to be used on compact cameras. When p... | 
| Audio-Technica ATR 55 | 
The ATR55 offers intelligible reproduction for close-, medium-, and long-distance pickup. In its “Tele” range setting, th... | 
| Audio-Technica ATR 6550 | 
Crisp & intelligible pickup-far away or up close. In its “Tele†range setting, this cardioid... | 
| Azden SG(M)-2X (Omni) | 
The SGM-2X is both an Omnidirectional and Supercardioid microphone in one which features two interchangeable barrels (an 8 1/8" ... | 
| Azden SGM-1X | 
A short shotgun microphone with an integral hotshoe/mic stand mount. It can be used directly on cameras or in conjunction with a wire... | 
| BeyerDynamic M 160 | 
Double ribbon dynamic microphone with unique acoustic characteristics, especially suitable for use when recording digitally. | 
| BeyerDynamic M 201 | 
A very sensitive dynamic microphone with an integral humbucking transformer to eliminate mains-borne interference when working near c... | 
| BeyerDynamic M 69 | 
Rugged microphone for lead vocals and instrumentation. Excellent off-axis rejection. | 
| BeyerDynamic MC 713 | 
 For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. 
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| BeyerDynamic MC 716 | 
 For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. 
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| BeyerDynamic MC 718 | 
 For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. 
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| BeyerDynamic MC 723 | 
 For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. 
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| BeyerDynamic MC 726 | 
 For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. 
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| BeyerDynamic MC 728 | 
 For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. 
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| BeyerDynamic MC 836 | 
Short shotgun microphone with low frequency roll-off switch. | 
| BeyerDynamic MCE 72 | 
The MCE 72 is a compact stereo microphone for XY recording with a wide and linear frequency response producing uncoloured, high-quali... | 
| BeyerDynamic MCE 85 BA | 
Developed for professional indoor and outdoor audio recordings, the MCE 85 combines superior quality and excellent polar patterns in ... | 
| BeyerDynamic MCE 87vs | 
Short shotgun microphone for use with semi-professional and domestic camcorder systems. MCE87 has internal battery powering and simi... | 
| ClockAudio C850E | 
A short shotgun microphone intended for broadcast, film or theatre use. | 
| DPA 4006 | 
The 4006 is phantom powered, which, together with its extended range of acoustic pressure equalisers and different protection grids, ... | 
| DPA 4011 | 
After its release in 1989 the 4011 immediately won a TEC Award for technical excellence. It is a condenser microphone with totally fl... | 
| DPA 4017 | 
A lightweight short rifle microphone for sports facilities, film and TV, and similar use. It has a wide dynamic range and good reject... | 
| DPA 4041-S | 
The 4041-S is an omnidirectional microphone that uses the 24mm (1') MMC4041 modular microphone cartridge with the totally transparent... | 
| DPA 4041-SP | 
The Type 4041-SP is designed to work in a standard 48V phantom power environment. Since the capsule is the same as for the high volta... | 
| Edirol CS-50 | 
A compact, lightweight stereo microphone for location use, particularly with the R-4 and R-4 Pro recorders. The polar pattern is sele... | 
| Edirol CS-50 | 
A compact, lightweight stereo microphone for location use, particularly with the R-4 and R-4 Pro recorders. The polar pattern is sele... | 
| JZ Microphones BT-201 | 
Description | 
| Neumann KM 180 Series | 
 For more information on this specific microphone, go to Neumanns website at http://neumannusa.com. 
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| Neumann KM 184 | 
The Series 180 consists of three compact microphones (KM 183, 184, and 185) with patterns that satisfy the demands of all common stud... | 
| Neumann KM 185 | 
The Series 180 consists of three compact microphones (KM 183, 184, and 185) with patterns that satisfy the demands of all common stud... | 
| Neumann KMR 81i | 
The KMR 81 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of frequency. The adv... | 
| Oktava MC 012 / MK 012 | 
A compact, high-quality capacitor microphone which uses interchangeable capsules to provide a choice of cardioid, hypercardioid or om... | 
| Panasonic AG-MC200G | 
 For more information on this specific product, go to Panasonic's website at http://www.panasonic.com/uk/ 
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| RODE NT5 | 
A slim end-fire cardioid with a 1/2' gold-sputtered capsule. It features a low self-noise and a high max SPL. The circuitry uses a J... | 
| RODE NT55 | 
The NT55 utilises the 1/2 inch gold sputtered true condenser transducer used in the internationally renowned RØDE NT5. The NT5... | 
| RODE NTG-1 | 
A lightweight shotgun condenser microphone for general film and TV use. The output is electronically balanced and uses low-noise surf... | 
| RODE NTG-2 | 
A lightweight shotgun-style condenser microphone similar to the NTG-1 but which can be either phantom or internal battery powered. Th... | 
| RODE NTG-3 | 
An RF capacitor microphone for location use. The RF technique is well-known for providing high immunity to moisture. It is light in ... | 
| RODE NTG-4 | 
The NTG4 builds on the platform created by RØDE's award-winning NTG1 shotgun microphone. A broadcast-quality directional conde... | 
| RODE NTG-4+ | 
Building on the popularity and acceptance of the RØDE NTG2, the NTG4+ features an all-new condenser capsule with low noise, hi... | 
| Roland CS-50 | 
Designed for the R-4 videographer, broadcaster, and sound designer. The CS-50 features bass roll-off capability as well as selectable... | 
| Royer SF12 | 
The Royer SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and im... | 
| Sanken CMS 2 | 
The Sanken CMS-2 is the world's smallest and lightest MS stereo microphone for TV and radio broadcasting, motion picture making and s... | 
| Sanken CMS 7 | 
The Sanken CMS-7s is a portable MS stereo condenser microphone for indoor and outdoor TV and radio broadcasting and motion picture ma... | 
| Sanken CMS 9 | 
The Sanken CMS-9 is a lightweight MS stereo condenser microphone ideal for all studio and field recording applications. It outputs L-... | 
| Sanken CS 3 | 
Short shotgun condenser microphone featuring three directional capsules arranged in a front/back array, to combine line microphone pe... | 
| Sanken CS-1e | 
The CS-1 is a short rifle microphone intended for film and TV but likely to find uses elsewhere too. The microphone is exceptionally ... | 
| Sanken CSS-50 | 
A three-diaphragm, electret condenser shotgun microphone designed for a range of TV, broadcast & film applications. Highly sensit... | 
| Sanken CUW-180 | 
A double-headed microphone designed with stereo X-Y recording in mind. Each cardioid pattern condenser capsule can be independently a... | 
| Schoeps CMC Series | 
 For more information on this specific microphone, go to Schoeps website at http://www.schoeps.de/en/home 
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| Schoeps CMC Series (With Cut 1) | 
The capsules of condenser microphones (the only type which SCHOEPS manufactures) can't be connected directly to microphone cables or ... | 
| Schoeps SuperCMIT | 
A new type of digital shotgun microphone with increased directivity, based on SCHOEPS' extremely successful analog model CMIT 5. Diff... | 
| Sennheiser AMBEO® VR MIC | 
The elegantly designed AMBEO® VR Mic has been developed in cooperation with VR content producers and fine-tuned through an extens... | 
| Sennheiser e614 | 
The super-cardioid e 614 is a permanently polarized condenser microphone designed for demanding applications which require a wide fr... | 
| Sennheiser ME 40 | 
The ME40 is a supercardioid capsule for use with various powering adapters. [The K3U (XLR) or K3N (Tuchel) powering module had balanc... | 
| Sennheiser ME 62 K6 | 
The ME 62 is designed for use with the K6 and K6P powering modules. It can be used for reporting, discussions and interviews, and is ... | 
| Sennheiser ME 64 K6 | 
Cardioid microphone head designed for use with the K6 and K6P powering modules. It has a very wide range of applications, including r... | 
| Sennheiser ME 66 K6 | 
Short shotgun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film an... | 
| Sennheiser MKE 44P | 
Pre-polarised condenser microphone with two cardioid microphone capsules set at 90° for X-Y stereo applications. Features inc... | 
| Sennheiser MKE 600 | 
The new Sennheiser MKE 600 shotgun microphone from audio specialist Sennheiser provides video journalists with a microphone that can ... | 
| Sennheiser MKH 20 | 
An RF condenser microphone using a symmetrical capsule. It has a transformerless, fully-floating balanced output, switched pre-attenu... | 
| Sennheiser MKH 20 | 
An RF condenser microphone using a symmetrical capsule. It has a transformerless, fully-floating balanced output, switched pre-attenu... | 
| Sennheiser MKH 30 | 
An RF condenser microphone using a symmetrical capsule. It has a transformerless, fully-floating balanced output. Switchable pre-atte... | 
| Sennheiser MKH 40 | 
An RF condenser microphone using a symmetrical capsule. It has a transformerless, fully floating balanced output. There are switches ... | 
| Sennheiser MKH 406 | 
A directional studio microphone using an RF capacitor technique dating from the early 1980s. Suffix U- versions have an XLR connectio... | 
| Sennheiser MKH 416 | 
A short shotgun interference tube microphone for film, radio and television, especially for outside broadcast applications. The low-i... | 
| Sennheiser MKH 418 | 
The MKH 418 S is an MS stereo microphone. Its high degree of directivity makes the MKH 418 S the ideal choice for stereophonic record... | 
| Sennheiser MKH 50 | 
An RF condenser microphone using a symmetrical capsule. It has a transformerless, fully floating balanced output, switchable bass rol... | 
| Sennheiser MKH 60 | 
An RF condenser microphone using a symmetrical capsule. It has a transformerless, fully floating balanced output. It has switchable, ... | 
| Shure KSM 137 | 
KSM137 is an end-address condenser microphone with a cardioid polar pattern. It is designed for studio use, yet rugged enough for liv... | 
| Shure VP82 | 
Compact and lightweight, with wide aperture and excellent off-axis rejection, the VP82 is the affordable and reliable choice for came... | 
| Shure VP89S | 
The VP89 is a professional shotgun condenser microphone for use in critical broadcast and media production applications. Designed wit... | 
| Sony ECM 670 | 
A supercardioid short rifle electret condenser microphone. It has a low-cut filter to reduce ambient noise. It is suitable for mounti... | 
| Sony ECM 673 | 
The Sony ECM-673is a short shotgun, electret condenser-type microphone which delivers excellent sound performance in field and studio... | 
| Sony ECM 674 | 
An affordable electret shotgun microphone. It is suited to location acquisition work and particularly for use with camcorders. Power... | 
| Sony ECM 678 | 
The ECM-678 is a short shotgun, electret condenser-type microphone for field production and broadcast studio applications. It is also... | 
| Sony ECM 680S | 
An MS stereo or directional mono shotgun microphone that is intended for camcorder or boom pole use. The output is decoded to LR outp... | 
| Sony ECM-CG50BP | 
The short shotgun, super-cardioid design enhances directional response and is ideal for clean recording of medium range sound sources... | 
| Sony ECM-VG1 | 
Ideal for Field Shooting with Compact Camcorders or Boom Poles.
  The ECM-VG1 is specifically designed for professional field an... | 
| Voice Technologies VT-5000 | 
 http://www.vt-switzerland.com/en/shotgun-microphone-vt5000 
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