File-Based Recording

The PIX 270i records Quicktime files in edit-ready Apple ProRes or Avid DNxHD video formats. You can record in a variety of formats, from Apple ProRes 4444 (330 Mbps) down to 36 Mbps proxy files. For color-critical applications, recording to ProRes 4444 provides uncompressed alpha-channel transparency for superb chroma keying and color grading performance.

Extensive Video I/O

The SDI input accepts 12-bit 3G-SDI (4:4:4 RGB or YCbCr), HD-SDI, and SD-SDI. The HDMI input accepts HD and SD video. Recording to ProRes 4444 via 3G-SDI 4:4:4 input provides recordings that are perceptually indistinguishable from the original source material.

Extensive network connectivity and multi-unit synchronization support grouping multiple PIX recorders over Ethernet for simultaneous frame-accurate multicam recording and playback. The PIX 270i can group with other PIX 270i recorders, as well as PIX 260i, and PIX 250i units, with all of the recorders functioning as a single system. The grouped recorders can be controlled two ways: directly through the PIX hardware interface or via a browser accessing the embedded built-in web-based control panel.

Dual 2.5" Drives with Simultaneous or Sequential Recording

The PIX 270i records and plays back Quicktime video to removable 2.5" solid-state drives (SSDs). Drives require Sound Devices' PIX-CADDY 2 in order to be used. Drives and PIX-CADDY 2 are sold separately.

You can set up the drives for sequential recording or for simultaneous recording for immediate file redundancy and backup.

PIXNET Network Control

Control the PIX 270i from any browser-capable computer or mobile device via its Gigabit Ethernet port. When connected to a data network, transport controls and setup menu controls are available on PIXNET. PIXNET offers control of one or multiple PIX 270i recorders. Multiple units can be grouped for simultaneous control.

Frame Synchronized

Frame synchronized transport control between multiple grouped PIX 270i's lets you control Record, Play, Stop, Pause, Jog (frame by frame), Shuttle, Fast Forward, and Rewind for all grouped PIX 270i recorders.

Remote Control

Record, play, stop, fast-forward, rewind, shuttle, jog, and locate control are all available over RS-422 for remote control operation. Remote control is further enhanced by GPIO ports and standard USB keyboards. USB keyboards also offer menu navigation and text entry.

64-Track Audio

The PIX 270i has extensive audio I/O, plus an audio-only record and playback mode. Up to 64-tracks (32 tracks at 96 kHz) can be recorded and routed from the following sources:

• Eight line-level, analog
• Eight AES digital
• 16 channels of embedded SDI
• Eight channels of embedded HDMI
• 64 channels of audio-over-Ethernet using Audinate's Dante
• 64 channels of MADI

Playback Control

The PIX 270i offers a wide range of playback features. Playback control includes off-speed, forward, reverse, jog, shuttle, freeze-frame, looping, and custom playlists. File markers can be set either while recording or playing back with the press of a button. Loop playback offers continuously looped playback of whole files or between file markers. Playlists help organize multiple files for consecutive or loop playback.

IPS Preview Monitor

With a 5" IPS LCD monitor, the PIX 270i can be used to accurately evaluate your video signals during recording and playback. Picture overlays include audio metering, timecode, file type, record status, and frame rate information. The display also doubles as a fast, simple menu interface. Timecode and record status display can be over-layed on the SDI and HDMI outputs.

Advanced Metadata Editing

Edit a scene, take, notes, track names, and circle metadata for the next take, current take, and previous takes even while recording. All edits ripple across all drives being recorded to.

Drag and Drop Transfer

Drives connected to a PIX 270i are accessible on Ethernet-based networks as read and write SMB shares, for easy file sharing. Files can be copied to or from any PIX 270i located on a network, from access across a room, or across the globe. Drives can be automatically switched to Ethernet when they are full.

Timecode Generator with Genlock

The internal, high-accuracy Ambient timecode generator makes the PIX 270i at home on complex, multi-camera and sync-sound productions. All common timecode frame rates and modes are supported. Embedded timecode over SDI and HDMI is also supported.

Scaler and Frame Rate Converter

The PIX 270i features a hardware scaler and frame rate converter. Up/down/cross-conversion and pulldown removal give you the ability to record files in a user-requested rate, even rates not supported by the camera. The PIX 270i also supports aspect ratio conversion.

PowerSafe Technology and Dual Power Supplies

The PIX 270i is equipped with Sound Devices' PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, and then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording. PowerSafe also provides two-second "power-on-to-recording" so the recorder is ready for operation at moment's notice.

The PIX 270i draws 10-27 VDC through a four-pin XLR connector. A secondary connection allows connection to redundant power supplies.

Additional Features

• False color, Peaking, Zebra
• Hardware-based 3:2 pull-down removal
• 1/2-Rack, 2U chassis