Flux Ircam Verb Session v3 Algorithmic Reverb Plug-in
VERB Session v3, based on the same fine technology used in the acclaimed IRCAM Verb v3, is tailored for simplicity providing a fast paced workflow for achieving the perfect result instantly. VERB Session v3 presents the ultimate reverb solution whether you are a seasoned session engineer or a demanding broadcast and post-production mixer.
Main Benefits
- Up to 2 channels Input/Output.
- Input/Output gain controls for adjusting the levels before and after processing.
- Dry/Wet control for blending the original signal with the processed signal.
- Decay Time adjusting the duration of the reverberation tail in seconds.
- Room Size adjusting the parameters for the early reflections part (early + cluster).
- PreDelay controlling the time at which the reverberation portion of the effect starts to be heard, with respect to the DIRECT signal
- Time Structure Settings; Early Gain, Tail Gain, Low Damping, High Damping
- Filter Section adjusts the characteristics of the filter applied to the signal fed to the reverberation engine, affecting the overall frequency response, if required.
Description
Ircam Verb Session v3 - Algorithmic Reverb
[AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/AudioSuite 32 & 64 bit (Ircam Verb Session v3 AAX Native & AAX AudioSuite supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11)]
VERB Session v3 is based on the same fine technology used in the acclaimed IRCAM VERB algorithmic room acoustics and reverberation processor, with a modular construction employing a recursive filtering reverb engine, reproducing and synthesizing the specific acoustical characteristics of any spatial sound environment, developed utilizing the results of over a decade of intense research by the Acoustic and Cognitive Spaces Team at the IRCAM R&D center in Paris.
Tailored for simplicity, with a fast paced workflow well-suited for situations where the perfect result has to be achieved within seconds, VERB Session v3 presents the ultimate solution whether you are a seasoned session engineer or a demanding broadcast and post-production mixer.
Decay Time
This is the duration of the reverberation 'tail in seconds, in other words how long it takes for the reverberated sound to vanish away. In more technical terms, this is sometimes referred to as the RT60 factor, which is the time at which the response of the reverberation to an input signal goes below -60dB of attenuation.
Room Size
This parameter is a meta parameter that allow you to quickly perform an homogeneous set of parameters for the early reflexions part (early + cluster). These parts are particularly important to achieve the "room" feeling of the desired space. It adjust the time structure of the whole reverberation (early-min, early-max, cluster-min, cluster-max, reverb-start).
Pre Delay
Pre Delay controls the time at which the reverberation portion of the effect starts to be heard, with respect to the DIRECT signal. Increasing this helps to distinguish between direct and effected sound and preserve intelligibility, especially with large decay times and room sizes which would otherwise drench the audio material in reverberation.
Time Structure Settings
Early Gain - Controls the level of EARLY and CLUSTER contributed to the overall effect, Tail Gain - Controls the level of LATE/TAIL contributed to the overall effect, Low Damping - Adjusts low-frequency damping, for increasing or decreasing the decay of bass content with respect to the rest of the spectrum, High Damping - Adjusts high frequency content damping.
Filter Section
The Filter Section sets the characteristics of the filter applied to the signal fed to the reverberation engine, affecting the overall frequency response, if required. Low Freq - Low pass filter frequency cutoff of the corresponding filter section, High Freq - High pass filter frequency cutoff of the corresponding filter section.
Signal Processing Features
• Input/Output gain controls for adjusting the levels before and after processing
• Dry/Wet control for blending the original signal with the processed signal
Preset and Parameter Handling
Preset/Parameter slots
To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a "Global Preset" containing both the A and B settings and the position of the "Morphing Slider", can be saved.
Parameter Morphing Slider with Automation
The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.
Tech Specs
- Compatibility
- All major native formats are supported
Windows - 7 SP1, 8, 8,1 and 10 all in both 32 and 64 bits
VST (2.4)
AAX Native
AAX AudioSuite
Mac OS X (Intel) - 10.7.5, 10.8.5, 10.9.5, 10.10.5 and 10.11.5 in both 32 and 64 bits
VST (2.4)
AU
AAX Native
AAX AudioSuite
- Available configurations
- Native - AU / VST / AAX Native / AAX AudioSuite
- Processing
- Ircam Verb Session v3 provide
Up to 2 channels Input/Output
64-bits internal floating point processing
Sampling rate up to 384 kHz DXD (Pyramix DSP based)
Sampling rate up to 192 kHz for native (AU/RTAS/VST/AAX AudioSuite)
- Software License Requirements
- In order to use the software one of the following alternatives is required
An iLok.com user account (the iLok USB Smart Key is not required)
A Flux:: USB Dongle