The CUB-01 from Sanken is a boundary microphone that features a small profile while delivering a sound synonymous with large diaphragm microphones. Boundary microphone, one urethane windscreen, and two rubber base included.

The CUB-01 from Sanken is a boundary microphone that features a small profile while delivering a sound synonymous with large diaphragm microphones. Boundary microphone, one urethane windscreen, and two rubber base included.

The CUB-01-PT from Sanken is a boundary microphone that features a small profile while delivering a sound synonymous with large diaphragm microphones. With stripped cable end to connect wireless transmitter, one urethane windscreen and two rubber base also included.

The CUB-01-PT from Sanken is a boundary microphone that features a small profile while delivering a sound synonymous with large diaphragm microphones. With stripped cable end to connect wireless transmitter, one urethane windscreen and two rubber base also included.

Goose-neck microphpne with stand base, 130mm

Goose-neck microphpne with stand base, 240mm

Goose-neck microphpne with stand base, 300mm

CUW-180 is a X-Y stereo microphone that has two cardioid capsules and can be rotated any angle up to 180 degree, with 15 degree detent.

Super Wide Range Microphone (20Hz to 100kHz)
An omni/cardioid pattern super wide range condenser microphone with unprecedented 20Hz to 100kHz frequency response.

This special version of the CCM 3 Lg compact microphone is equipped with a flange enabling it to be built into the surface of a table or speaker's rostrum.

Egy bekötött aktív kábel lehetővé teszi, hogy a BLM 03 CG-t csatlakoztassuk bármilyen mikrofon erősítőhöz a Colette sorozatból (kivéve az elemmel működő CMBI modellt), hogy egy teljes mikrofont kapjunk. A BLM 03 Cg a BLM 3g minden ismert előnyét biztosítja. Ajánlott azokban az esetekben, amikor a BLM 3g túl nagy (pl. tévé vagy filmes hang), vagy túl nehéz (pl. autó belsejébe rögzítve vagy alulról a zongora fedelére). A CUT 1 és CUT 2 aktív mélyvágó szűrők használhatóak a BLM 03 Cg-vel.

This table microphone consists of two CCM 4 compact microphones (cardioids) rigidly attached to one another and facing in the same direction.

This microphone type has flat frequency response for frontal sound incidence. This yields a very natural quality when picking up sound that is predominantly direct, i.e. close to the source or in a ”dry” acoustic.

A parabolic dish is an extraordinary tool in the hands of a skilled sound engineer, since it achieves a surprisingly high directivity at high and medium frequencies with relatively simple means. With this new parabolic dish system consisting of a special OEM parabolic dish from Telinga and a Schoeps CCM microphone, these characteristics can fully be realized. In addition we achieved significant improvements in terms of some usual disadvantages of a parabolic dish system by several innovative measures.

As can be seen from the frequency response curve, this microphone type has flat frequency response for frontal sound incidence. This yields a very natural quality when picking up sound that is predominantly direct, i.e. close to the source or in a ”dry” acoustic.

This type of microphone has a directional pattern between omni and cardioid. The basic idea in designing the CCM 21was to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics in a useful manner.

A parabolic dish is an extraordinary tool in the hands of a skilled sound engineer, since it achieves a surprisingly high directivity at high and medium frequencies with relatively simple means. With this new parabolic dish system consisting of a special OEM parabolic dish from Telinga and a Schoeps CCM microphone, these characteristics can fully be realized. In addition we achieved significant improvements in terms of some usual disadvantages of a parabolic dish system by several innovative measures.

This type of microphone has a directional pattern between omni and cardioid. The basic idea in designing the CCM 21was to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics in a useful manner.

The CCM 22 has been developed for use as a spot microphone. It unites the strengths of the CCM 4 and CCM 21 microphones. Its directionality is only slightly less than that of the CCM 4 cardioid, while its sonic character is reminiscent of the CCM 21 wide cardioid.

The CCM 22 has been developed for use as a spot microphone. It unites the strengths of the CCM 4 and CCM 21 microphones. Its directionality is only slightly less than that of the CCM 4 cardioid, while its sonic character is reminiscent of the CCM 21 wide cardioid. Its directivity is essentially constant throughout the frequency range.